She becomes that creature when she’s working on the steps.” I think the nice thing about her is that it all comes together at the same time. Part immersed herself in videos of past performances. “When I’m preparing some role, I’m not thinking of Veronika doing it,” she said. “First, it’s who am I supposed to be? The Sylph is very feminine even if she’s not a woman. She doesn’t think about what will happen to her. She is enjoying the moment.” She laughed. Her new rank doesn’t mean as much to her as fulfilling a more timeless ambition. “I want to go onstage and to be able to express everything that I have inside,” she said.
I want to be able to do this without any fear.” “I saw how Alessandra Ferri and Julio Bocca reached this level. Part confronted a few of those fears on a side project with Twyla Tharp featuring the music of Frank Sinatra. During the two-month process, which resulted in a private studio performance, she discovered yet another side of herself. Tharp’s “work is very” � her voice lowered to a whisper � “sexy in a good way.” I was on the bus, so happy � it’s when you feel you did something completely new, that nobody could expect from you and you didn’t expect from yourself.” “The day after we finished the performances I went to Boston to visit my friend. Part came away with a priceless keepsake. “On the last day, in her notes, Twyla had a white paper with ‘Veronika’ on it and a big plus in a circle.
